Showing posts with label Cottam. Show all posts
Showing posts with label Cottam. Show all posts

11 October 2011

Cottam - Deep Deep Down (Aus Music)

Cottam - Deep Deep Down (Aus Music, 07 November)

Having eagerly followed Cottam's rise to prominence, we welcome his new 12" with open arms - his four 12"s on his own imprint were superlative peices of work, but with very limited pressings and no digital release, superstardom was never going to come easily. Though he's snuck out various remixes and soundcloud giveaways, this is Cottam's only release not on his own imprint since the 12" for Use of Weapons, and with the critically acclaimed Aus Music backing him up, it aught to garner him the recognition deserved. Moving away from his signature slow-groove house, Cottam's begun to channel a more acidic, technoid sound, without losing the funk and soul that make him stand out. With metallic percussion and an acidic synth line, Deep Deep Down channels hints of Jus-Ed and Levon Vincent, peppering the robotic with fluid afrobeat percussion and a wailing saxophone. Like Cottam's previous works, it's a well-crafted long-runner that manages to work a limited pallette of sounds without growing repetitive. Whilst filling an appropriately weird niche with it's reconstructed rhythms and tape screeches, the Vakula remix leaves me somewhat cold in comparison - it's a fun addition nonetheless.
The B-side, Twang returns to Cottam's signature pitched down groove, with funk-inflected guitars and wailing vocal snippets peppering a languid bassline. Contrasted with Cottam's self-titled releases however, both tracks on this 12" are leaning more towards recognisable house and techno rhythms with a definite focus. However, Cottam manages to avoid the stylistic neutering that broadening appeal often equates to (Daft Punk, Wiley, Skream, this means you) and it genuinely feels like Cottam has improved by moving from languid sketches of confused beauty, to fully-realised masterpeices. Quality work from one of the most interesting house producers at the moment.

30 November 2010

Cottam - Cottam #4 Review

Cottam - Cottam #4 (Not On label)
It's fair to say that we're big fans of Cottam, the mild-mannered Lancastrian who released 3 devastating 12"s over the course of 2009 and introduced the world to his unique blend of afrobeat, reggae and house. We were lucky enough to catch him playing the early slot before Seldom Felt and Jackmaster tore up the subclub, and his DJ set tied up all the elements of groove, melody and dub that are represented on record. This new 12", which hit the shops last Thursday, continues Cottam's winning streak and I'm pretty certain Molotov Disco's Kyriakov will be unable to shut up about it any time soon. The A-side bears all of Cottam's hallmarks, with snippets of obscure afrobeat tracks looping over Kuti-inspired percussion and a solid techno undercarriage. However, with a more house-friendly bpm (as high as 119) than past tracks and a big techy chord chopping up the rhythm, this is probably one of Cottam's most accessible tracks to date and has critics comparing it to early Carl Craig releases. It's going to be huge.
On the B-side, a slumberous techno beat gets injected with funkadelic grooves and snippets of soul vocals. Clocking in a 9+ minutes, it's all about evolving a groove, and throws bongos, shifting guitar loops and brooding bass into the mix. It's a tricky little number that challenges DJs to work for the big pay-off, but is an invaluable weapon if used correctly.

Cottam's soundcloud contains mixes and unmastered demos available for download. I highly reccomend checking it out.
Cottam-Causes Of Colour Mix by Cottam

EDIT: I just bumped into
Kyriakov, and the main focus of his discussion was how he'd spent his lunch money on Cottam #4.
I just dropped into RubaDub records. They'd sold out of Cottam #4 within five hours of opening - this one's gonna go fast.