
Following on from his singles on Rag and Bone and Rudeez, Stagga drops his debut album, The Warm Air Room, fusing violently nasty basslines to subtle hip-hop frameworks, and chanelling it all into a doomy, dread-fuelled warehouse sound. Whilst Face Get Splat and Sick as Sin were rooted squarely in the kind of full-on dubstep-mutant-bassline territory that Rag and Bone have made their own, The Warm Air Room displays a surprising amount of subtlety and delicacy of touch, without in any way sacrificing heaviness; following the Zomby-esque bleepy intro, Is This The Future rolls in bouncing hip-hop boom-bap, complete with G-funk strings and as detuned sample of U-God's famous "Roll like cocaine, straight from Bolivia" on the breaks. The Dragon heads more for a UK funky feel, with the monstrous bass-drone offsetting rattling tabla percussion and slightly surreal manga-esque quotes about summoning dragons. Even the pixel-driven psychedelia of Zomby and Rustie rears its head, on the likes of The Chilski and Original Misty, both featuring many-time collaborator Monky and skillfully bridging the divide between hip-hop and purple wow.
Neatly fusing the major strands of UK bass music, and creating a few anthems in the process, The Warm Air Room is an accomplished album from an artist who risked just plastering big basslines over everything and riding the Ket-massive all the way to the bank in his first few singles.
No comments:
Post a Comment