
This one's currently getting my vote, with a Ben Klock re-edit of Echologist's Dirt on the A-side conjouring dark, post-industrial landscapes, full of hiss and glitch, with the kick drum mutedly thumping away, deep in the mix. The shaky dub chords push their way upwards, evolving on a minute scale, with only the clatter of the snare breaking through the tension and destabilising the taut atmosphere. On the flip, Jonas Kopp conjours a fresher, cleaner take on dark dub, with pin-prick hi-hats breaking through the cloud of decaying bass and a cleaner chord snaking it's way upwards.

My other favourite from this series is definitely the Martyn / Roman Lindau split, with Lindau representing a much more conventional techno pallette - deep filtered kicks, shuffling hi-hats and tight percussion embedded in subtle melodies. Martyn heads in a wildly different direction with Miniluv, a groove-driven monster based around syncopated percussion, throbbing kicks and twisting off-beats. Breaking down in rattle of redux-heavy metallic percussion, it finally falls in line with a steady, rhythmic piano riff that neatly straightens the wayward percussion. As it builds and tightens, bringing in a shuffling hi-hat pattern that leaves Miniluv feeling like an unusually heavy Theo Parrish number. With both techno and dubstep / funky pedigree, it's going to be a gig cross-over number, though maybe not quite as massive as Klock's rework of his and Spaceape's Is This Insanity? Epic 12" nonetheless.
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